by Ben Boxer

Part 1

My spirit of adventure limits itself these days to an occasional trip to the mountains or the sea in the comfort of my user-friendly Mustang. I broke in my old friend gently after its delivery off the lot of a car dealership in Bakersfield and gave it full rein as a stallion in thrilling cross-country drives from its native California to the rock-bound coast of Maine and Eastern Canada, south to the coral-reef shores of the Florida Keys, and home again, time after time. It never let me down, and now, twenty years into its life, patched, freshly painted, restrutted, rewheeled and deeply loved, it takes me off again on what may be our last trip together.
Unlike my car, not much patching can be done on this old carcass of mine. Symptoms tell me quietly, and doctors loudly, that if I don't watch it and stay near the civilized world, I may find myself alone and far away once too often, and my car may become my tomb when I slump lifeless over the wheel. But such a good way to go, at rest forever within the confines of my friend in a lonely place where none shall find us till we lie rusted together in a dark spot on the infinite sand.
The sand! The desert I have come to love during my life in Southern California!
At first it was the trees, redwoods and sequoias, stately, tall, aloof in cool shadows, where I drove my friend and supped in splendor leaning against its fender, using its hood for a table. The fragrant forest air was seasoning enough to turn my sourdough bread and bit of Monterey Jack into a Parisian feast I washed down with mineral water whose bubbles could be heard bursting in the silence of the glade.
Then, it was mountains and, next, the edges of the sea, before I came at last in preference to the land of the stumpy Joshua tree, the flowering cactus, the lizard's tongue-darting hellos, the land of Rattlesnake Joe who never once came out to see me, but whose distant rattle I have often heard when I stepped from the car to pee. When a coyote's howl seemed like music to me, I knew that the desert had become truly my home.
I drive through gullies now, gently, as my Mustang requires me to do. We are not man and machine, but friends who help each other along the way. I steer and give him the gas. He snorts a bit and takes the brake, but never falters on the rocky soil.
We round a bend. What's this? Ruined and ghostly shacks in these forlorn wilds? What men were here? Ah, a mine gapes in the mountain wall, collapsed scaffolding bent to time and wind, draped like wooden veiling across the entryway. An old mine tram upended on broken railings looks so sad with its worn wheels pointing to the sky.
I stop the car and go over to lend a hand. "Well, old feller, what burden did you carry in your working days? Gold, perhaps? Yes, let's say gold. The miners prospered and left you here to die? Poor thing! Upright you go! Stand tall! No tracks left, I fear. only a broken yard or two. What's this?" I stand back, surprised. There is tracking I did not see before, and an engine sounds around the bend! A train? In the desert here?
Lo, there it comes. Good God, will it stop in time? Whew! Just in the nick! Just at my dick! What the hell?
"Excuse me, sir," I hear. "I am conductor of this train. All aboard!"
"But what is this?" I say. "I have no ticket, no place to go!"
"No matter, sir," he replies, a bit impatiently, his lips set in a narrow, disapproving line. "The bill is paid. You take too long. No more delay. Come quickly, please. It is time."
I board the train. We pull away. My old Mustang sits forlorn. Do its headlights droop? Does it cry?
"Sit down, sir. Dinner soon. The bell will ring." I sit, the train picks up speed., the desert whizzes past as sunset comes, and darkness. I can see outside no more. The bell sounds. I rise from my seat in the railway coach and go forward. I have not been in such a train in years, what they used to call a Pullman car with seats that make up into beds. It's not old at all. It seems so fresh and new.
This train is smooth, without a lurch. Ah! The dining car! A table prepared for one, the others empty. Am I alone?
"May I seat you, sir," the conductor asks from behind. "I recommend the meat loaf tonight. Very good."
"If that's what I smell, it's got to be good. Haven't smelled anything like it since my mom died when I was a kid! Who's your cook?"
"It's on the menu, sir," he says, passing a bill of fare to me.
"Mother's in the kitchen, and all is right with the world," is the slogan across the top. "A meal without potatoes is like a day without sunshine," is the slogan at the bottom. The only things on the menu are "Special of the Day - Meat Loaf with Mashed Potatoes and Brown Gravy, Green Beans, Whole Milk, and Mom's Apple Pie a la Mode with Homemade Vanilla Ice Cream." "Well, I'll be damned!" I exclaim, sitting to the table and tucking the large napkin into my collar. "I'm ready for a helluva feed!"
The conductor shakes his prissy head. "Tsk, tsk, sir. Your frames of reference are hardly correct. You will be BLESSED. You must be prepared for a HEAVENLY feed."
This is too much. I snatch the napkin from my throat and spring out of my chair. Shit! My tired old ass feels great! Hasn't had that much spring in it for years!
"Conductor, " I rant, "what's going on? I want off this crazy train!"
Another voice echoes though the dining car. "I don't think so, pal. I'm your waiter on the Dream Train. We've got a big surprise for you."
I look around and see a husky man rumbling along the aisle in a waiter's white jacket, bearing a plateful of food.
"What are you talking about?" I ask.
A third voice comes over the loudspeaker on the ceiling: "Sit down and eat your supper, son!"
Mom! "Mom?" I cry.
The waiter rolls his index finger around his ear signaling that I must be a dingbat. The conductor nods. They look at me. Feeling mighty foolish, I sit. Mom died when I was eight. Okay, so I'm nuts. This guy in the white jacket, is he from the nuthouse, or is he really a waiter, like he says?
The meal is served. Oh, boy, was that conductor right - a HEAVENLY repast, and the house wine doesn't taste exactly cheap.
The apple pie?
"In words of Oliver Twist," I say, lifting my empty plate aloft, "I want some more!"
"Enough, son," I hear my mother's voice say over the loudspeaker again. "I see you grew up and got fat!"
I blanch. I am sensitive about my weight. "Yes, Mother," I agree to the empty air, feeling more than ever a fool. I look at the waiter. The conductor is gone. "What's my surprise?"
The waiter sits down across the table from me. "Well, for starters, we know you're gay."
Shit! Sixty-five years in the closet, and some stranger on a train knows that I'm GAY? This is no Dream Train. It's the Nightmare Express!

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

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